Cloudburst and Constellations

I am so excited to announce that my latest book of poetry Cloudburst and Constellations has been published by Walleah Press!

The book is available to purchase online through the publisher for $20: https://walleahpress.com.au/Lou-Smith-Cloudburst-and-Constellations.html

Lou Smith’s poems cling to you like your clothes dampened by the rain. These are not just words on the page but breathing journeys that you take, inhaling the moist air, listening to all the sounds surrounding you, and knowing you inhabit a world where nature dominates. Captivating!

Opal Palmer Adisa, author of The Storyteller’s Return (Ian Randle Publishers)

Poignant and personal, these poems trace tender cartographies of skin and kinship making drawn from genealogical topographies that waver with grief in beautifully ‘concentric circles / of unknowing.’ Smith pays close attention to the minutiae of life, from ‘sunflecks’ that incur ‘a sharp intake of breath’ to histories both natural and familial, especially in concurrence with water-cycles both amniotic and migratory, telluric, oceanic, and riverine. From Wales to the Caribbean, from Louisiana to ‘home’, this is a moving poetic portrait of places displaced, and reunited, in distilled and sparkling form.

Shari Lynelle, also known as Shari Kocher, author of Foxstruck and Other Collisions (Puncher & Wattmann)

Lou Smith’s elegiac poems interweave impacts of colonisation, slavery, displacement and complications of ancestry, evoking the ‘scaffold of who we are’ as ‘Drift Seeds’ born of complex, violent histories. Meticulous environmental poems unseat anthropocentrism, foregrounding toxified nature. When polystyrene icebergs ‘bob in wave breaks’ and spread ‘pearls of polymer beans’, we feel the searing acuity of the poet’s gaze as urgent poetic lamentation.

A. Frances Johnson, author of Save As (Puncher & Wattmann) 

Stunning cover artwork ‘Spiderweb’ by Kyoko Imazu.

Liberation Begins in the Imagination: Writings on Caribbean-British Art

I am honoured and thrilled to have my essay ‘”Beyond the Horizon, Out at Sea, A New Day Breaks”: Memory and Identity in Ingrid Pollard’s The Boy Who Watches Ships Go By’ included in the wonderful publication Liberation Begins in the Imagination: Writings on Caribbean-British Art, edited by. David A. Bailey and Allison Thompson and published by Tate publishing 2021.

Liberation Begins in the Imagination accompanies the exhibition Life Between Islands: Caribbean-British Art 1950s—Now which is currently showing at the Tate Britain until 3rd April 2022.

https://www.tate.org.uk/whats-on/tate-britain/life-between-islands

Poem in soft surface

I’m excited to have a poem in soft surface. Edited by Lindsay Costello, soft surface “publishes poetry and contemporary art projects by women, LGBTQIA, gnc folks, BIPOC, and/or other marginalized voices”. Thank you to Lindsay and all the other contributors. Link to the poem and the Winter issue of soft surface here: https://softsurface.org/current

“The Sound of Unknowing”: Theorizing Race, Gender, and ‘Illegitimacy’ Through Jamaican Family Photography.

It’s an honour to have the article I co-authored with my sister Dr Karina Smith published in the latest edition of the Journal of Women’s History. ““The Sound of Unknowing”: Theorizing Race, Gender, and ‘Illegitimacy’ Through Jamaican Family Photography” explores our maternal family history, particularly our grandmother’s story, through a reading of family photographs taken in Jamaica in the early 1900s.  You can access the article here:
https://muse.jhu.edu/article/689108

 

 

The Lifted Brow

Check out my latest comic collaboration with TextaQueen “The Milkman of Human Kindness” in the latest issue of The Lifted Brow (front cover image is below so you know which issue to look out for!) – hot off the press! “The Milkman of Human Kindness” explores both my paternal family history and the history of the Australian dairy industry. Go to theliftedbrow.com for more info on where to purchase the journal and how to subscribe.

TLB36 front cover